Within his work, Kye Marsh, a Manchester born creative, explores the important relationship which exists between himself and the landscapes he inhabits. His work centres around the idea of finding solace in the landscape and expressing himself through the collaboration of traditional black and white photography and alternative photographic processes.
Kye’s main body of work is taken on medium format black and white film, primarly using the Mamiya RB67. These images, printed in the darkroom using techniques to exaggerate features of the landscape, encompass his photographic vision. He is, however, known to branch out to other formats and experimental styles including 35mm black and white film, 35mm redscaled
colour film and chemigrams on black and white darkroom paper.
Kye’s work continues to push his personal idea of landscape further out of the bounds of comfortability as new techniques and film types become present within his work, Additionally, a focus on the inbetween has become especially imprtant as the smaller details which create the wider landscape begin to have a more prominent role within his works.
Kye’s main body of work is taken on medium format black and white film, primarly using the Mamiya RB67. These images, printed in the darkroom using techniques to exaggerate features of the landscape, encompass his photographic vision. He is, however, known to branch out to other formats and experimental styles including 35mm black and white film, 35mm redscaled
colour film and chemigrams on black and white darkroom paper.
Kye’s work continues to push his personal idea of landscape further out of the bounds of comfortability as new techniques and film types become present within his work, Additionally, a focus on the inbetween has become especially imprtant as the smaller details which create the wider landscape begin to have a more prominent role within his works.